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簡介：<p>　　該片開啟了國內(nèi)動畫內(nèi)容的一個新方向,同時因?yàn)樵谥谱魃洗罅康?amp;quot;借鑒&quot;&quot;模仿&quot;日本著名動畫的角色,動作等,其與模仿原型的高相似度.一時曾成為話題. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/>　　2166年，地球?yàn)l臨毀滅，人類開始將觸角伸向茫茫宇宙。9名志愿者被賦予神圣的使命———尋找適合生存的星球。在向x星進(jìn)發(fā)的過程中，由于發(fā)生意外，隊(duì)員只好臨時登陸月球，卻發(fā)現(xiàn)這個神秘世界竟是一個適合人類生存的好地方。一場新的戰(zhàn)爭隨之展開，兩種來自不同星球的生命陷入了野心與道義的抉擇之中…… &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/>　　能源匱乏、廢氣彌漫、大地上爬滿蠕動的生命，2166年，高度發(fā)達(dá)的人類文明已使地球陷入空前危機(jī)，一切都在茍延殘喘之中……你無需要緊張，這只是出現(xiàn)在科幻動畫片《月塵》里的畫面。近日，這部描述150多年后人類生存狀態(tài)的動畫片已基本完成前期制作。據(jù)悉，該片由重慶視美動畫公司制作，是我市首部科幻題材的動畫片，第一集即將在8月與觀眾見面。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　凸顯生命的尊嚴(yán) &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　不同于一般的科幻動畫片，《月塵》將主要場景設(shè)置在月球上，主要講述地球在瀕臨毀滅時，人類將觸須伸向月球的故事。以地球人與月球人兩種不同生命形態(tài)之間的矛盾沖突，揭示生命的平等與互補(bǔ)。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　“生命都是平等的，值得尊重的，我們是否有權(quán)利去掠奪與否認(rèn)？說‘保護(hù)’實(shí)際上是一種居高臨下的態(tài)度！”《月塵》的創(chuàng)作者、四川美術(shù)學(xué)院影視動畫學(xué)院副院長周宗凱告訴記者，由于對高科技的依賴與對物質(zhì)的欲望，人類已習(xí)慣用自己的標(biāo)準(zhǔn)去衡量世界，而《月塵》正試圖用科幻動漫的方式對此進(jìn)行批判，“我們在故事中設(shè)置了各種奇異的生物，人類試圖控制與掠奪，卻在欲望與野心制造的矛盾中受到傷害。” &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/>　　不一樣的月球 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　作為片中的主要場景，月球成了《月塵》當(dāng)之無愧的重要看點(diǎn)，地表上的微弱生物與地核里的城市使這個星球真實(shí)而具體。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　“月球是一個可以充分發(fā)揮想象的地方，上面有依賴光線生存的低級生物，也有充滿智慧的高級生物，而冰雪、火山、城市等人們熟悉的場景也將在片中一一呈現(xiàn)。”《月塵》的場景設(shè)計(jì)查中良表示，與地球一樣，月球也生活著不同形態(tài)的生物，同樣存在著權(quán)利、野心、爭奪與控制，而各種儀式、咒語與魔力則為這個冰冷的星球注入了更多神秘色彩。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　另外，傳統(tǒng)與科幻的結(jié)合也使本片中的月亮更具魅力，“比如，月球上的兔耳精靈，其原形就是《嬋娥奔月》里的那只兔子。”周宗凱表示，將傳統(tǒng)元素融入科幻題材中，在豐富內(nèi)容的同時更能展現(xiàn)本土氣息。 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　打造優(yōu)秀“高齡”動畫 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br/> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;　　“中國的動畫片大都比較低年齡化，而《月塵》的受眾基本定位在青少年與成人這個范圍內(nèi)，力爭以深刻的主題與精良的制作打造本土最優(yōu)秀的科幻動畫。”對《月塵》的未來，查中良充滿信心。&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;</p>…